Saturday, September 30, 2017

Harmen de Hoop - Retrospective #3

Today I went to see a public intervention by Harmen de Hoop. This season the artist re-enacts some of his earlier performances and this was RETROSPECTIVE #3.
Come and photograph Harmen de Hoop in Rotterdam!
Saturday 30 September, 11.00 am, Kralingse Bos, Rotterdam.
In the coming months, Harmen de Hoop will be working on a RETROSPECTIVE. He will perform interventions and actions in several locations in Rotterdam that he made long ago anonymously and without permission in other cities and countries. As Marina Abramovic wondered how you can show performances in a retrospective, so Harmen de Hoop wants to see how the meaning of a temporary, location-bound work changes when you perform it again. A new location, a different context, and this time he invites you to attend. Come, take photos and videos of the action and place those on Facebook, Instagram, Flickr, Pinterest etc.
I arrived a few minutes after the announced time (11.00) and saw the finished installation but no retrospective in progress. I was not alone in wondering what had happened, there was one other appreciative visitor who was puzzled by the absence. It's a fun installation and I wonder how long it will last in the wild.

Note: My wife commented that by installing these tools, you move the picnic table from the domain of recreation to the domain of work. People will be dissuaded to relax here.
I speculated that the artist had done the installation at night, in the dark, to prevent any mishaps. But in the afternoon the absence was explained by the artist himself:
Because of the rainy weather forecast I decided to do the action at an earlier time. And indeed, at 11:05 it really started to rain. But you saw the result. Nice photographs! I was leaving when you arrived. 
And this is the original installation that was re-enacted today. It still has the same look-and-feel:
BENCH VICES - BODEGRAVEN - 1996
Two bench vices bolted to a picnic bench on a highway parking lot.
For practical / recreational use.

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