Monday, July 10, 2017

Particles of deep topography - 23

Mannequins

Text: The White Hands and Other Weird Tales (Mark Samuels)
Text: Matthew 16, 24-26
Text: My Work Is Not Yet Done (Thomas Ligotti)
Illustrations: Empty storefronts in Rotterdam, 2016

Sometimes we go through life automatically. We're no better than the mannequins that we see in shop windows. Pretending to be alive, but never succeeding:
As I drew closer to the mannequin I noticed that the background hiss had acquired a new element. There were definite words amongst the static, though broken and garbled, like speech distorted by poor radio reception. I could not make out the words, but the voice seemed to speak as if in pain: almost as if it were incoherent with that pain.

It's about priorities, opportunity costs and discernment. Not easy at all:
What good will it be for someone to gain the whole world, yet forfeit their soul? Or what can anyone give in exchange for their soul?
Finally, looking back from the deathbed of your entire life in the working world, you would be left exclaiming, ‘What was that all about!’ (In this sense the world of the company mirrored the world itself, which sometimes managed to stage a rousing first act, and perhaps even provide a few engaging scenes of a second before devolving into a playwright’s nightmare, wherein the actors either butchered their lines or entirely forgot them, scenery collapsed, props misfired, and most of the audience left the theater during intermission.)
It's about disrupting the robotic voices coming from inside the puppet:
‘You’re making too much of this,’ said one of those secondary selves that are implanted inside every one of us and that come to attention on these occasions, spitting forth idiotic clichés like a mad schoolmaster from a worn-out textbook of conventional wisdom.

About this series Over the years I've collected many place descriptions. It's a waste to keep them on my harddisk. So I'll publish them from time to time. I will add some pictures when suitable.
Enhanced and amplified topographies can be found in a broad range of literature. The best ones link to metaphysics or mysticism and (pre-) load the landscape with unexpected layers, sheets, slabs and strata of meaning. We can appropriate all this work to enrich our everyday surroundings.

Previous posts are 1:The paranoid method, 2:Rooftops and sacrifices, 3:Oil and electricity,  4:Sewing machines, 5:Rooftops and apparitions, 6:Woods, 7:Mushrooms, 8:Formlessness (2d), 9:Formlessness (3d), 10:Autumn, 11:Monsters and mad scientists, 12:Empty spaces, 13:Stars and planets, 14:Addiction against emptiness, 15:Suggestive vagueness,  16: Ominous places and books, 17: Military technology, 18: Ominous telephones, 19: Observation, 20: History distortion, 21: Spy stories, 22: Dead places.

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